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Coby Batty
Bruce Bickford
Christopher Holmes
Brett Ingram
Kevin McNeer
Richard Robinson
Peter Schilling Jr.
Ron Thomas Smith
Ellen Spiro
Chris Strompolos
For more information, see Guests
of the 2009 Festival |
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Emily Doe
DeeDee Halleck
Azazel Jacobs
Ken and Flo Jacobs
Richard Kelly
Rob Tregenza
David Williams
For more information, see Guests
of the 2008 Festival |
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Chuck Statler
John Porter
Jeff Krulik
Larua Browder
David Williams
For more information, see Guests
of the 2007 Festival |
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Ray
Harryhausen
Martha Colburn
Gary Lucas
David Williams
Hotel
X
For more information, see Guests
of the 2006 Festival |
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Diane
Bonder
Nathaniel Dorsky
David Durston
Lynn Lowry
Pere Ubu
For more information, see Guests
of the 2005 Festival |
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Niku
Arbabi
Skip Elsheimer
John OBrien
Bob Paris
Mel Stuart
David Williams
For more information, see Guests
of the 2004 Festival |
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Gordon
Ball
Jeff Krulik
Gary Lucas
The Brothers Quay
For more information, see Guests
of the 2003 Festival |
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JONAS
MEKAS
Mr. Mekas has worn many hats in the avant-garde film world
poet, filmmaker, critic (for "The Village Voice"
1959-76), but none so important as spokesman for the experimental,
or living, cinema he advocates. To this end he established
the Anthology
Film Archives in NYC and the Filmmaker's Co-op; his latest
film is the diary epic, "As I Was Moving Ahead Occasionally
I Saw Brief Glimpses of Beauty" (2002).
ED
SANDERS
Poet, editor of "The Woodstock Journal," activist,
founder/singer for folk-rock badboys The Fugs, Mr. Sanders
has authored books on Charles Manson, Allen Ginsberg, and
the Beat era. He won an American Book award for "Thirsting
for Peace in a Raging Century," "Selected Poems
1961-1985" and in 2002 published "America, A History
in Verse, (Vols.I-III)." |
JOANNA
PRIESTLEY
More than fourteen of animator Priestley's films have been
honored at festivals, and she is the recipient of the Canadian
International Animation Special Merit Award. A resident of
Portland, Oregon, Ms. Priestley has produced animated sequences
for the videos of Joni Mitchell and Tears for Fears; her shorts
include "Rubber Stamp Film" and "Surface Dive."
Recently, she collaborated with artist Karen Aqua (JRFF guest
in 2000) on a piece entitled, "Mojacar, an expressionistic
view of Spain."
users.easystreet.com/joanna/
CHARLENE
GILBERT
Ms. Gilbert's previous credits include "This is My House,"
"The Kitchen Blues" and as co-producer of "W.
E. B. Du Bois: A Biography in Four Voices." Her latest
"Homecoming" (1998), investigated
the loss of land by black farmers from the Reconstruction
to today. Currently she teaches communications at American
University. |
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LES
BLANK
Documentarian Blank has been producing his unique films since
the early 1960s on diverse subjects but often finding his
way to a form of truth by investigating food and music. Best
known for "The Blues Accordin' to Lightnin' Hopkins"
(1969) and "Garlic is as Good as Ten Mothers"
(1980) he won a British Academy Award for Best Documentary
with "Burden of Dreams" in 1982, a chronicle of
Werner Herzog's two year production of "Fitzcarraldo."
www.lesblank.com
RICHARD
MYERS
Ohio-based filmmaker Myers shorts have played the Ann Arbor
and San Francisco Film Festivals and his feature "Akran"
(1969) evoked comparisons to Godard's early work (Roger
Ebert). Beautifully crafted by Myers and his film circle (students,
family and friends), surreal and mysterious since Myers cultivates
a dream journal, his movies prod the "collective sub-conscious,
especially "37-73."
CORKY
QUAKENBUSH
Mr. Quakenbush, who specializes in stop-motion animation,
is probably best known for the short films he produced for
Fox's "Mad TV, but he also directed the award-winning,
"One Hand Left" which aired
frequently on FXM. His latest work includes a number of animated
shorts for Oxygen Network which were combined into a one-hour
special. In addition, a retrospective screening of his work
was shown at the U.S. Comedy Arts Festival in Aspen. |
GUNNAR
HANSEN
Screen icon of Tobe Hooper's cult horror film, "Texas
Chainsaw Massacre" (1974) (now
in MOMA's permanent collection), actor/travel author Hansen
will be forever known to fans as "Leatherface.
ELIZABETH
BARRETT
Appalshop filmmaker Barrett has pursued an abiding interest
in her native Kentucky with "Quilting Women"
(1976) and "Hand-Carved" (1980).
Her latest, "Stranger with a Camera"
(2000), examines the relationship between subject and
documentary by revisiting the 1967 death of a Canadian cameraman
in a neighboring Appalachian county.
HERB
E. SMITH
One of the first students of Appalshop (founded in 1969 in
Whitesburg, Kentucky, to document mountain culture) to use
a movie camera was Smith who's covered everything from a teacher's
strike to a coon dog competition; his latest is "The
Ralph Stanley Story" (2000) a profile
of the bluegrass legend. |
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ALAN
BERLINER
Independent filmmaker Berliner has reworked the "family
portrait documentary with "The Family Album"
(1986), "Intimate Stranger"
(1991) and "Nobody's Business"
(1996); in 2000 MOMA honored him with a retrospective.
www.alanberliner.com
TOM
VERLAINE
As the guitarist/composer for Television in the late 1970s,
Verlaine's lilting style was described by Patti Smith as being
"like a thousand bluebirds screaming." His solo
work "Flashlight" (1987) and
"Warm and Cool" (1992) drew
critical attention; his music for film is composed for live
guitar accompaniment to avant-garde classics by Man Ray, Fernand
Leger, Carl Dreyer and others. |
KAREN
AQUA
Having contributed regularly to festivals and competitions since
1976, animator Aqua has more recently produced and directed
animation segments for "Sesame Street," collaborated
with dancer Annie Loui, and released the moving short, "Ground
Zero/Sacred Ground" (1997). Currently
she is collaborating with animator Joanna Priestley (festival
guest 2002) on "Mojacar," an expressionistic look
at southern Spain. In 2001, Aqua was one of 15 Associate Artists
selected to work with several Master Artists at the Atlantic
Center for the Arts in Florida. home.att.net/~aquak/ |
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CHARLES
BURNETT
Mr. Burnett's first feature, "Killer of Sheep"
(1973, released 1977), is a landmark release in the
history of African-American independent film and has been
adopted into the National Registry. His other films include
"To Sleep with Anger" (1989),
"Nightjohn" (1996), and the
work-in-progress, "Nat Turner, A Troublesome Property."
2001
interview with Charles Burnett by Michael Jones.
PAUL
ARTHUR
Professor of Cinema Studies at Montclair State University,
New Jersey, Arthur has for twenty-five years been a regular
contributor to "Film Comment," "Cineaste,"
and "Artforum;" his most recent book is "Film
Noir and the Cold War." |
BILL
PLYMPTON
One of America's foremost independent animators, Plympton has
produced five features ("I Married a Strange Person,"
1998) and dozens of shorts seen at festivals and competitions
world-wide including his Oscar-nominated, "Your Face"
(1987).
www.plymptoons.com |
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ALBERT
MAYSLES
One of the pioneers and advocates of a documentary approach
that he calls "direct cinema, Maysles and brother
David have produced such classics as "Salesman"
(1968), "Grey Gardens" (1975)
and "Gimme Shelter" (1970),
which chronicled the Rolling Stones cross-country tour to
notoriety and tragedy at Altamont in 1969. www.mayslesfilms.com
YVETTE
KAPLAN
Producer/ director Kaplan served as director of animation on
"Beavis and Butt-head Do America" (1996)
and supervisory director of Nickelodeon's popular "Doug
series. In 2001 Kaplan completed work as Head of Story for the
Blue Sky Studios and Twentieth Century Fox feature "Ice
Age." |
JOHN
O'BRIEN
Vermont-based independent director O'Brien's first feature
"Vermont is for Lovers" (1992)
screened at the James River Festival in 1994; his follow-up,
the mockumentay "Man with a Plan"
(1996), nearly got neighbor farmer Fred Tuttle elected
to Congress!
RAYNOR
SCHEINE
Veteran actor and VCU alumnus Scheine has appeared on stage,
television and over 35 movies including "Fried Green
Tomatoes," "My Cousin Vinny," and
"The Quick and the Dead." |
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JOHN
COLUMBUS
Mr. Columbus founded the Black
Maria Film and Video Festival in 1981 which currently
is the largest traveling exhibition in the United States.
JOHN
DILWORTH
Animator Dilworth's "Dirty Birdy" and "The
Chicken from Outer Space" won numerous festival awards;
his animation has appeared on MTV, Liquid Television and Nickelodeon.
John's eleventh animated film, "Catch of the Day,"
starring Noodles and Nedd, was completed in 2000. The film
won 1st place at ASIFA-East Animation Festival in San Francisco
and 2nd place at ASIFA-East Animation Festival in New York
City. In September 2000, Stretch Films launched its website,
www.stretchfilms.com. |
ROB
TREGENZA
Independent director Tregenza's features "Talking to Strangers"
(1988, U. S.) garnered international awards and the praise
of film critics Vincent Canby and Kevin Thomas and French Nouvelle-Vague
legend Jean-Luc Godard. |
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STAN
BRAKHAGE
(19332003)
One of the major figures of the American underground is the
prolific experimentalist Brakhage. Having produced hundreds
of shorts since the early fifties, Brakhage continues by hand-coloring
directly on 70mm. His "Dog Star Man"
(1961-1964) is in the permanent collection of the Library
of Congress. Mr. Brakhage is also the author of "Metaphors
on Vision" and "Brakhage Scrapbook." |
LINDA
SIMENSKY
Ms. Simensky has served as the director of ASIFA-East and currently
is director of Programming at TNT's Cartoon Network. |
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SCOTT
MacDONALD
Film scholar and critic MacDonald teaches film studies at
Utica College, New York and is the author of "Screen
Writings: Scripts and Texts by Independent Filmmakers"
and "A Critical Cinema 1 & 2" as well as contributions
to "Film Quarterly" and other journals. His most
recent book is "The Garden in the Machine, A Field Guide
to Independent Films about Place." |
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WILLIAM
WEGMAN
Experimental video artist Wegman has produced work for "Sesame
Street" and "Saturday Night Live," exhibited
at countless museums and galleries world-wide, and produced
photobook adaptations of "Cinderella" and "Little
Red Riding Hood" featuring his omni-present pet weimaraners.
www.wegmanworld.com
SLOBODAN
PESIC
Director/writer Pesic's feature, "In Harm's Case"
(1988, Yugoslavia), is a stylized, almost surreal adaptation
of the tragic life of Russian avant-garde poet Danil Harms. |
BETSY
COX
Independent producer Cox's "Who's Gonna Sing Our Song"
was created for Washington, D.C.'s Video/Action Fund. Winner
of an Emmy for the feature-length documentary "A Call to
Care," her work has appeared on PBS and CBS's "Eye
on the People. |
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| Other
Guests of RMIC Events & Special Programs |
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MM SERRA
(OCT '04) RMIC's ongoing
Essential Cinema series was curated this year by special guest,
MM Serra, executive director of the Film-Makers'
Cooperative. Serra presented the films and answered questions
after the screenings. MORE
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JEFF
KRULIK
(OCT '02) Mr. Krulik is
a prolific artist who has shown his work worldwide. Best known for
the notorious Heavy Metal Parking Lot, Washington DC-based filmmaker
Jeff Krulik produces documentaries dealing with arcane pop culture.
His subjects are sometimes weird, sometimes crazy and always funny.

Whether it's a movie star driving a bus or one man's immense, archived
pornography collection, Krulik's films seem to capture that space
where the banal and the outrageous meet.
Heavy
Metal Parking Lot is a state of mind: an interview with Jeff Krulik
To learn more
about Jeff Krulik visit www.planetkrulik.com.
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TOM DAVENPORT
(NOV '01) Mr. Davenport's film career
began amidst the bustle of NY for Richard Leacock and D. A. Pennebaker.
Since locating to Virginia in the 1970s, he has produced fictional
films (clever adaptations of fairy tales) and documentary work (his
American Traditional Culture Series). He currently is organizing "Folkstreams.net,"
an interactive site for traditional culture and communities. |
YOKO
ONO
(OCT '96) In conjunction with
her exhibition, "FLY," at the Anderson Gallery of Virginia
Commonwealth University, Ms. Ono, artist/musician /filmmaker, introduced
a screening of her experimental films, many produced with husband
John Lennon. Ms. Ono was one of the key members of Fluxus in New York
in the 1960s. |
TOM CORA
(APR '96) The late Mr. Cora, composer
and performer, led his ensenble in a special live performance of his
score for Dziga Vertov's, "Man with a Movie Camera,"
(USSR, 1929), a lively look at a day in Moscow through the
filmmaker's eyes. |
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