RMIC
Events >> 2005
Italian
Film and Food Festival
Saturday, January 29, 2005
|
10
am
"Open
City"
(Roma, citta aperta)
(1945, 101 mins.)
Director Roberto Rossellini and co-writers Sergio Amidei and
Federico Fellini garnered international acclaim with this
anthem to the Italian resistance movement of WWII. "Open
City" became the prototype for a style that came to be
known as Italian "neorealism," and was remarkable
for its documentary-like texture. Shot in grainy black and
white, and mostly on location (only 2 studio sets were used),
Rossellini also post-dubbed his actors' voices for budgetary
reasons. The finished film resembled the newsreels that often
preceded the feature film, and audiences in the States thought
they were watching actual footage that the director had somehow
slipped past the Nazis. Winner of the Grand Prix in 1946 at
Cannes, "Open City" is still considered one of the
great films of all time. It so overwhelmed American critic
James Agee that he publicly refused to review the film. With
Anna Magnani and Aldo Fabrizi. Sub-titled. Introduction
by Trent Nicholas (VCU Film Studies, VMFA)
|
1
pm
"The
Gospel According to St. Matthew"
(Il vangelo secondo Matteo)
(1964, 142 mins.)
Neither a sudden surprise in subject-matter from notorious Marxist
director, Pier Paolo Pasolini, nor a simple transposing of the
Christ story into a convenient working class dialectic, "The
Gospel..." is clearly born of adult concern and child-like
nostalgia. The wondrously framed and captured imagery (photographed
by Tonino Colli) is not mere ornament for sermonizing, not fine
dressing for polemics. Pasolini crafted this work to invite
the audience into the mystery and beauty of both storytelling
at its most imaginative and filmmaking at its most immediate.
For audience and critic alike, this is political art with a
high measure of grace and integrity--a result which most marriages
of the spiritual and the secular fall woefully short of achieving.
Featuring non-professional actors and music from Billie Holliday
to Bach. Sub-titled. Introduction by Robert Ellis (VCU,
English) |
4
pm
"Swept
Away, by an Unusual Destiny in the Blue Sea of August"
(Travolti da un insolito Destino nell'Azzuro Mare d'Agosto)
(1974, 120 mins.)
Director Lina Wertmuller raised a considerable number of feminist
eyebrows with this allegorical love story set on a deserted
Mediterranean island. Blonde, jet-setter Raffaela (Mariangela
Melato) becomes stranded with the dark, working-class Gennarino
(Giancarlo Giannini) when their dinghy founders far from the
yacht. A tongue-in-cheek reworking of the war between the sexes,
Wertmuller enriches the formula with keen observations on capitalism
and labor, the nature of desire, and the politics of sex. Actor
Giannini also starred in Wertmuller's "The Seduction of
Mimi" and "Seven Beauties" and became an international
star in the seventies. Recently remade by Guy Ritchie starring
Madonna. Sub-titled. Color. Introduction by Elizabeth
Canfield (VCU, English) |
8
pm
"8
1/2"
(Otto e mezo)
(1963, 138 mins.)
From its birth, film has always been about the dynamics and
powers of dream, the liberties and burdens of the dreamer. Here,
director Federico Fellini takes the natural dream logic of cinema
and the chaotic flow of his own memories and reveries, joining
art and life in a now slow, now frenzied dance, and culminating
at last in the most honest, joyful processional ever designed
for the lens. At a difficult time in his own life and mirrored
through alter-ego Marcello Mastroianni, Fellini's private visions
get trotted out before the viewer--clumsy, agonized, conflicted--until
suddenly and inevitably we are all invited to the dance where
whore and madman, clown and tyrant link arms to move, once more,
like angels. Winner of the Academy Award for Best Foreign Film
in 1964; with Claudia Cardinale and Anouk Aimee. Sub-titled.
Introduction by F. T. Rea (writer/artist) |
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